98-3-464
With facts came objectivity, his fundamental creed. He hoped he could be described as a liberal in the true sense, non-dogmatic and non-committed. He was "not a registered anything". Many viewers doubted it, claiming "Pinko Cronkite" helped to push the country to the left and lose the war in Vietnam. It was true that in the spring of 1968 he declaredin tones apocalyptic rather than calmthat the summer would bring only stalemate in the war, escalation meeting new escalation, until the world approached "cosmic disaster". He had had his private doubts about the build-up of troops for three years. But almost at once, he regretted that his public words put him "on a side".
Anchoring him, too, was his belief in the freedom of the press and the right of the people to know. In the last years of the Nixon presidency he found himself fighting against wiretapping and the bullying of journalists, "a cold draught" through the door, but pulled on his mittens and got on with the job. His faith was placed solidly in the constitution, and in law and order. He was never so angry on-air as when Dan Rather, his successor on the CBS Evening News, was punched by security men during the wild Democratic convention in Chicago in 1968. The scene made him want to pack up his microphone and leave. Yet he did not support the demonstrators either, who were drawn to the TV cameras like moths to a flame. The way to change the country was by civilised dialogue and he would mediate it, from the objective middle, if Americans wished him to.
A. ¾îÈÖ
objectivity °´°ü¼º. fundamental ±âº»ÀûÀÎ, Áß¿äÇÑ. creed ½ÅÁ¶.
liberal ÀÚÀ¯(Áøº¸)ÁÖÀÇÀÚ. dogmatic µ¶´ÜÀûÀÎ, ÎçðÉîÜ(±³Á¶Àû)ÀÎ.
non-committed ¿¼ºÀûÀ¸·Î Ȱµ¿ÇÏÁö ¾Ê´Â.
a registered anything °ø½ÄÀûÀ¸·Î µî·ÏÇÑ »ç¶÷. tone åÞðà(¾îÁ¶).
apocalyptic ÌöãÆîÜ(°è½ÃÀû)ÀÎ, ô¸Ìö(õ°è)ÀÇ. stalemate ³±¹, ïÎÔË(Á¤µ·)»óÅÂ.
cosmic ¿ìÁÖÀûÀÎ, ÎÆÓÞÙíÜ«(±¤´ë¹«º¯)ÇÑ. disaster Àç¾Ó. build-up ñòË(Áõ°), ÃàÀû.
Anchoring him ±×¸¦ ´Ü´ÜÈ÷ ºÙÀâ¾Æ¸Å°í ÀÖ´Â °ÍÀº. anchor ´éÀ¸·Î °íÁ¤½ÃŰ´Ù.
press ¾ð·Ð. wiretapping Ô¨ôé(µµÃ»). bullying ¾àÇÑ ÀÚ¸¦ ¸ø»ì°Ô ±¸´Â °Í.
a cold draught Â÷°¡¿î ÷×ù¦(Åëdz). mitten º¡¾î¸® Àå°©. get on °è¼ÓÇÏ´Ù.
solidly ü¬Í³(È®°í)ÇϰÔ. constitution Çå¹ý. on-air ¹æ¼Û Áß.
convention ȸÀÇ. moth ºÒ³ª¹æ. flame È¿°. civilised ¿¹ÀÇ ¹Ù¸¥, ¹®¸í µÈ.
mediate ÁßÀçÇÏ¿© ´Þ¼ºÇÏ´Ù, Á¶Á¤ÇÏ´Ù. objective middle °´°üÀûÀÎ Áß°£.
98-4-465
Yet he was bothered by that. He regretted that Americans were so dependent on television, and on him, to explain the world. TV couldn't do it. All the words uttered in his evening newscast would not fill even the front page of the New York Times. He offered, in the end, just a headline service. Print alone gave the necessary depth of understanding.
His Walter Mitty dream, as he said once, was to take his boat and leave "the daily flow of this miserable world". He would stop attempting to make brisk order out of human affairs. Instead, he once told Sailing magazine, he might weigh anchor from the marshlands of South Carolina:
you start a little before dawn. The first light. I like to do that anyway. The sawgrass rises to meet the day, standing straight up, the blades of sawgrass with dew on them sparkle. All through the marsh grass, the birds are rising ¡¦and a little fog rises, the morning fog, the haze, as the dew boils away. And through all of that the fishing boats¡¦meandering through the marsh grass, captain of the sea.
A. ¾îÈÖ
bother ±«·ÓÈ÷´Ù, ±ÍÂú°Ô ÇÏ´Ù. utter ¸»ÇÏ´Ù, ¹ßÀ½ÇÏ´Ù.
print ½Å¹®, ÀâÁö, ¼Àû µî Àμ⹰. brisk ³¯Ä«·Î¿î, Ȱ±âÂù.
Sailing magazine ¿äÆ®Ç×ÇØ ÀâÁö. weigh anchor ´éÀ» °¡¶ó¾ÉÈ÷´Ù, ïíÚÕ(Á¤¹Ú)ÇÏ´Ù.
marshland ã¥ò¢(½ÀÁö). dawn »õº®. sawgrass ¾ï»õÀÇ ÇÑ Á¾·ù.
blade ÀÙ»ç±Í, Ä®³¯. dew À̽½. sparkle ¹øÂ½ÀÌ´Ù. marsh ã¥ò¢(½ÀÁö).
haze ¾È°³, ¾ÆÁö¶ûÀÌ. boils away ¹°ÀÌ ²ú¾î¼ ¾ø¾îÁö´Ù.
meander ±¼°îÀ» µû¶ó¼ °¡´Ù.
B. ±¸¹®
- He would stop attempting to make brisk order out of human affairs.
[±×´Â Àΰ£ÀÇ ÀÏ¿¡ Ä®³¯ °°ÀÌ ³¯Ä«·Î¿î Áú¼¸¦ ¼¼¿ì·Á´Â ½Ãµµ¸¦ ÁßÁöÇÏ·Á°í ÇÏ¿´´Ù.]
ÇÑ´«¿¡ º¸´Â
º£½ºÆ® ±â»ç
- 1 Çѵ¿ÈÆÀÇ ¿ª»çÀû »ç¸í°ú Áö¹æ¼±°ÅÀÇ ÀǹÌ
- 2 5¿ù31ÀÏÀº ±èÀϼº ¾ÕÀ¸·Î ÆíÁö ¾´ ³¯
- 3 À°»ç(ëÁÞÍ)°¡ ¹Ì¿ì¸é À°»ç¸¸ ÆóÁöÇ϶ó
- 4 ¿Ö ¸»¸®´Â »ç¶÷±îÁö ÈæÈ(ýÙûù)Çϴ°¡?
- 5 ÃÖ¾ÇÀÇ ÀúÁúµé¿¡°Ô Áö¹è´çÇÏ´Â ¿ì¸®ÀÇ Çö½Ç
- 6 ³ëÀε鿡°Ô ȸÀü¿îµ¿À» ºÎÃß±â´Ù´Ï
- 7 çïá¦ý³(¿À¼¼ÈÆ) ¼¿ï½ÃÀåÀÇ ½Â¸®´Â ¿øÄ¢°ú Á¤ÀÇÀÇ ½Â¸®´Ù
- 8 ¼¿ï½Ã¹ÎÀº ÀÌÀç¸í Á¤±ÇÀ» ½ÉÆÇÇß½À´Ï´Ù
- 9 ³²ÇÑ ºÎÀΰúÀÇ ÀÌÈ¥ µ¿±â(ÔÑѦ) - '±×³É ½È¾î¼'
- 10 ±èÁøÀº Àú½Â¿¡¼ Çѵ¿ÈÆÀ» ÀÀ¿øÇϰí ÀÖÀ» °ÍÀÌ´Ù!












