Albert Camus, 50 years on ¨è

131-2-627
A double haunting presence looms throughout all the books: that of Algeria, where Camus was born, and of his mother, Catherine. Before he was a year old, the infant Albert lost his father, an early settler in French Algeria, in the battle of the Marne. His mute and illiterate mother, and her extended family, raised her two sons in a small flat in Algiers with neither a lavatory nor running water. Alain Vircondelet writes movingly of the "minuscule life" in the apartment with nothing: "those white sheets, his mother's folded hands, a handkerchief and a little comb. Her purity and silent dignity marked her son, as he struggled to confront his own shame at such poverty-and his shame at being ashamed. "With those we love," he once said of her, "we have ceased to speak, and this is not silence."
That the young Albert went to the French lycee, and then to university in Algiers, was thanks to two inspiring teachers with whom he kept in touch throughout his life he dedicated his Nobel prize to one of them. Camus began writing, as a reporter and dramatist, in a land that was then part of France-and yet apart. His was the solitude, self-doubt and restlessness of dislocation and displacement. The young man who emerges from Virgil Tanase's biography in particular is seductive, funny and loving, but constantly on the move: between the raw, sun-drenched Mediterranean and cramped, grey Paris, ever in search of respite from crippling bouts of tuberculosis, as well as comfort from the various women he charmed and loved with a passion.

A. ¾îÈÖ
haunting ¸¶À½¿¡¼­ ¶°³ªÁö ¾Ê´Â, ÀØÇô ÁöÁö ¾Ê´Â.
loom Èñ¹ÌÇÏ°Ô ³ªÅ¸³ª´Ù, Áß¿äÇÏ°Ô »ý°¢µÇ´Ù. infant ¾Æ±â, À¯¾Æ.
Marne ÇÁ¶û½º µ¿ºÏºÎÀÇ 1Â÷ ¼¼°è´ëÀü °ÝÀüÁö. 50¸¸ ¸íÀÌ îúÞÝ(Àü»ç).
mute ¸»À» ¸øÇÏ´Â, Ùíåë(¹«¾ð)ÀÇ, º¡¾î¸®ÀÇ. illiterate ÙþØî(¹®¸Í)ÀÇ.
extended family È®´ë°¡Á·¡´ÇÙ°¡Á·°ú ÐÎöÑ(±ÙÄ£)À¸·Î ÀÌ·ç¾îÁø ´ë°¡Á·¡µ
flat ¾ÆÆÄÆ®. lavatory È­Àå½Ç. minuscule ´ë´ÜÈ÷ ÀÛÀº.
purity û°á, ¼ø°á. cease ÁßÁöÇÏ´Ù. lycee ÇÁ¶û½º ±¹¸³°íµîÇб³.
inspiring ÍÕÙñ(°í¹«)ÇÏ´Â, °Ý·ÁÇÏ´Â. dedicate úÌïÐ(ÇåÁ¤)ÇÏ´Ù, ¹ÙÄ¡´Ù.
solitude °íµ¶, ¾µ¾µÇÔ. restlessness ºÒ¾È.
dislocation À̵¿. displacement ìÆß¤(ÀÌ»ê), ú°ÍÒ(ÇØ°í).
seductive ¸Å·ÂÀûÀÎ, À¯È¤ÇÏ´Â. raw ðØå¯(Á¶¾ß)ÇÑ, ³¯°ÍÀÇ, ¹«ÁöÇÑ.
drench Èì»¶ Á¥°Ô ÇÏ´Ù, ¹°¿¡ ´ã±×´Ù. cramped, ´ä´äÇÑ, ¼Ó¹ÚÇÏ´Â.
respite ÀϽÃÀû Áß´Ü, á³Ë¬(¼Ò°­) »óÅÂ. cripple Àý¸§¹ßÀÌ, º´½ÅÀ¸·Î ¸¸µé´Ù.
bout ¹ßÀÛ. tuberculosis Ì¿ú·(°áÇÙ).

B. ÓÞëù(´ëÀÇ)
¸¶À½¿¡¼­ ¶°³ªÁö ¾Ê°í ±×¸¦ »ç·ÎÀâ°í ÀÖ´Â µÎ °¡Áö Á¸Àç°¡ ±×ÀÇ îîÑÀ(Àü±â) Àüü¸¦ λ׵(°ü·ù)ÇÏ´Â µ¥, ±×°ÍÀº ±×°¡ ž ¾ËÁ¦¸®¿Í ¾î¸Ó´Ï CatherineÀÇ Á¸ÀçÀÌ´Ù. ÇÑ »ìµµ µÇ±â Àü¿¡ ¾Æ±â Albert´Â ÝÖÖÅ(ºÒ·É) ¾ËÁ¦¸®ÀÇ Ãʱâ Á¤Âø¹ÎÀ̾ú´ø ±×ÀÇ ¾Æ¹öÁö¸¦ MarneÀüÅõ¿¡¼­ ÀÒ¾ú´Ù. ¸»µµ ¸øÇÏ°í ±Ûµµ ¸ð¸£´Â ±×ÀÇ ¾î¸Ó´Ï¿Í ¾î¸Ó´ÏÀÇ °¡Á·Àº AlgiersÀÇ È­Àå½Çµµ â©Ô³(¼öµµ)µµ ¾ø´Â ÀÛÀº ¾ÆÆÄÆ®¿¡¼­ µÎ ¾ÆµéÀ» Ű¿ü´Ù. îÊíº(ÀúÀÚ)Alain Vircondelet´Â ¾Æ¹«°Íµµ ¾ø´Â ¾ÆÆÄÆ®¿¡¼­ÀÇ ¡°¾ÆÁÖ ÀÛÀº »î¡±¿¡ ´ëÇØ¼­ °¨µ¿ÀûÀ¸·Î ¾²°í ÀÖ´Ù: ÇÏ¾á ½ÃÆ®¿Í ¾î¸Ó´ÏÀÇ Á¢ÇôÁø ¼Õ°ú ¼Õ¼ö°Ç Çϳª¿Í ÀÛÀº ºø Çϳª. ±×°¡ °¡³­¿¡ ´ëÇÑ ºÎ²ô·¯¿ò°ú ºÎ²ô·¯¿òÀ» ´À³¢´Â °Í¿¡ ´ëÇÑ ºÎ²ô·¯¿ò¿¡ ¸Â¼­¼­ ÅõÀïÇÒ ¶§¿¡ ±×ÀÇ ¾î¸Ó´ÏÀÇ ¼ø¼ö¿Í À§¾öÀº ±×¿¡°Ô ±íÀº ÀλóÀ» ³²°å´Ù. ±×´Â ¾ðÁ¨°¡ ±×ÀÇ ¾î¸Ó´Ï¿¡ ´ëÇØ¼­ ¡°¿ì¸®´Â ¿ì¸®°¡ »ç¶ûÇÏ´Â »ç¶÷µé°úÀÇ ´ëÈ­¸¦ Áß´ÜÇÏ¿´Áö¸¸ À̰ÍÀÌ Ä§¹¬Àº ¾Æ´Ï¾ú´Ù.¡±¶ó°í ½è¾ú´Ù.
Albert°¡ ÇÁ¶û½º ±¹¸³°íµîÇб³¿¡ µé¾î°¡°í Á¹¾÷ ÈÄ¿¡ Algiers¿¡ ÀÖ´Â ´ëÇб³¿¡ ´Ù´Ï°Ô µÈ °ÍÀº µÎ ¼±»ý´ÔÀÇ °Ý·Á ´öÅÃÀ̾ú°í ±×´Â ÀÏ»ý µ¿¾È ±× µÎ ¼±»ý´Ô°ú °è¼ÓÀûÀÎ °ü°è¸¦ À¯ÁöÇÏ¿´´Ù. ±×´Â ³ëº§»óÀ» ±× ¼±»ý´Ôµé ÁßÀÇ ÇÑ ¸í¿¡°Ô úÌïÐ(ÇåÁ¤)ÇÏ¿´´Ù. Camus´Â ÇÁ¶û½ºÀÇ ÀϺÎÀÌÁö¸¸ ÇÁ¶û½º¿Í´Â ºÐ¸®µÇ¾î ÀÖ´Â ³ª¶ó¿¡¼­ ±âÀÚ¿Í ±ØÀÛ°¡·Î¼­ ±Û¾²±â¸¦ ½ÃÀÛÇÏ¿´´Ù. ±×ÀÇ ±ÛÀº À̵¿°ú ìÆß¤(ÀÌ»ê)ÀÇ °íµ¶°ú ÀÚ±âȸÀÇ¿Í ºÒ¾ÈÀ̾ú´Ù. Virgil TanaseÀÇ Àü±â¿¡ ³ªÅ¸³ª´Â ÀþÀº Camus´Â ¸Å·ÂÀûÀ̰í Àç¹ÌÀÖ°í ¾ÖÁ¤ÀÌ ÀÖÁö¸¸ ²÷ÀÓ¾øÀÌ À̵¿Çϰí ÀÖ´Ù. ±×°¡ ¸Å·á½Ã۰í Á¤¿­ÀûÀ¸·Î »ç¶ûÇÏ¿´´ø ´Ù¾çÇÑ ¿©ÀεéÀÌ ÁÖ´Â À§¾ÈÀº ¹°·Ð ¸öÀ» ¸¶ºñ½ÃŰ´Â °áÇÙÀÇ ¹ßÀÛÀ¸·ÎºÎÅÍ ¹þ¾î³ª°Ô ÇØÁÙ Æò¿ÂÀ» ã¾Æ¼­ ±×´Â Á¶¾ßÇϰí ÇÞºû¿¡ Àá°ÜÀÖ´Â ÁöÁßÇØ¿Í üéßä(ȸ»ö)ÀÇ °©°©ÇÑ Paris»çÀ̸¦ ²÷ÀÓ¾øÀÌ À̵¿Çϰí ÀÖ´Ù.
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