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Mapping out the world
Writers about the poor tended to be middle-class patronisers. But Mr Sillitoe was a product of those sooty red-brick terraces, where he remembered his mother, beaten yet again by his father, holding her head over a bucket so the blood didn¡¯t run on the carpet where he would forage in tips for bottles to claim the deposit, or pick flowers from the park to sell. At 14 he became a labourer and lathe-operator, as well as a serial lover of the local girls.
His father was illiterate, unable to make sense of the ¡°mystifying jungle¡± of the world. Hence his violence. Young Alan mapped out his own paths, first in out-of-town fields through nettles as tall as himself, and then by slowly building up exotic worlds of words. He won a Bible as a prize, which stayed on his desk for good more books, and maps, were bought with precious pence, or came home under his coat. Confinement with TB in his 20's introduced him to Dickens and Dostoevsky, Balzac and Plato, and spurred him to write. Both writing and exploring kept him one cool, cunning step ahead of his oppressors. If he could not do either, he felt his head would burst from sheer misery.
He wrote, then, prodigiously, for half a century: novels, short stories, poetry, autobiography. The poems were feeble, and the stories that followed his two groundbreaking works tended to tell, less well, the same tale of Everyman against the system. Though he had started ¡°Saturday Night and Sunday Morning¡± under an olive tree in Majorca, and lived many years in the Mediterranean sun, he needed Nottingham, and the pounding roar of the Raleigh factory. Occasionally he wandered back, but settling was difficult. He came to sympathise, over the years, as much with the world¡¯s displaced and hounded Jews as with his drunken proletarian heroes.
A. ¾îÈÖ
map out °èȹÇÏ´Ù, ¹èÄ¡ÇÏ´Ù. patronisers ÈÄ¿øÀÚ.
sooty °Ë´óÀÇ, ±×À»Àº, °Ë´ó°°ÀÌ °ËÀº. terrace ¿¬°áÁÖÅÃ, Óæò¢(´ëÁö).
forage in ãÀ¸·Á°í ¿©±âÀú±â µÚÁö´Ù, ½Ä·®À» ±¸ÇÏ´Ù, ÞøÖù(»ç·á), Ø©õ®(¸¶ÃÊ).
ips for bottles º´¸¶°³. deposit º¸°ü¹°, çèöÇ(¿¹Ä¡), º¸Áõ±Ý, º¸°ü¼Ò.
lathe-operator àÁÚï(¼±¹Ý) ÐüÒöÍï(±â´É°ø). illiterate ÙþØî(¹®¸Í)ÀÇ.
mystify ûçÚ»(È¥¹Ì)ÇÏ°Ô ÇÏ´Ù, Ó×ûã(´çȤ)½ÃŰ´Ù, ºÒ°¡ÇØÇÏ´Ù, ½ÅºñÈÇÏ´Ù.
nettle ½û±âÇ®. exotic ì¶ÏÐîÜ(À̱¹Àû)ÀÎ. confinement °¨±Ý, ¾ïÁ¦, Á¦ÇÑ.
TB=tuberculosis Æó°áÇÙ. spur ÀÚ±ØÇÏ´Ù, °Ý·ÁÇÏ´Ù, ¸»¿¡ ÚÐó³(¹ÚÂ÷)¸¦ °¡ÇÏ´Ù.
cunning Àçºü¸¥, °£±³ÇÑ. oppressor ¾ÐÁ¦ÀÚ. sheer ¿ÏÀüÇÑ.
B. ÓÞëù(´ëÀÇ)
ºó¹Îµé¿¡ °üÇØ ±ÛÀ» ¾²´Â ÀÛ°¡µéÀº Áß»êÃþ Ãâ½Å ºó¹Î ÈÄ¿øÀÚµéÀÎ °æ¿ì°¡ ¸¹¾Ò´Ù. ±×·¯³ª Sillitoe´Â ¿¬±â¿¡ °Ë°Ô ±×À»Àº ºÓÀº º®µ¹ ¿¬¸³ÁÖÅà Ãâ½ÅÀÌ¸ç ±×´Â ÀÌ·± Áý¿¡¼ ¾Æ¹öÁö¿¡°Ô ¶Ç´Ù½Ã ¾ò¾î¸ÂÀº ¾î¸Ó´Ï°¡ ¹æ¹Ù´Ú¿¡ Çǰ¡ ¶³¾îÁöÁö ¾Êµµ·Ï ÇϱâÀ§Çؼ ¹Ù²²½º À§·Î ¸Ó¸®¸¦ Àâ°í ÀÖ´Â ¸ð½ÀÀ», µ·À» ¸ðÀ¸±â À§Çؼ º´¸¶°³¸¦ ã¾Æ µÚÁöµç ÀÏÀ», ÆÈ±â À§Çؼ °ø¿øÀÇ ²ÉÀ» µû´ø ÀÏÀ» ±â¾ïÇÏ¿´´Ù. 14¼¼ ¶§¿¡ ±×´Â ¼±¹Ý°øÀÌ µÇ¾ú°í ¶ÇÇÑ ¸¶À» ó³àµéÀÇ ¿¬ÀÎÀÌ µÇ¾ú´Ù.
±×ÀÇ ¾Æ¹öÁö´Â ÀÌ ¼¼»óÀÇ ¡°È¥µ·½º·¯¿î Á¤±Û¡±À» ÀÌÇØÇÒ ¼ö ¾ø´Â ¹®¸ÍÀ̾ú´Ù. ±×·¡¼ Æø·ÂÀ» Èֵѷ¶´Ù. AlanÀº, ã¼èâ(½Ã¿Ü)ÀÇ Ã³À½¿¡´Â ÀÚ±â Ű ¸¸Å Å« ½û±âÇ® µéÆÇÀ» ÇýÄ¡°í ´Þ¸®¸é¼〈¸Ô°í»ì±â À§Çؼ Èûµé°Ô ÀÏÀ» Çϸé¼〉, ´ÙÀ½¿¡´Â ¾ð¾îÀÇ À̱¹ÀûÀÎ ¼¼°è¸¦ õõÈ÷ ±¸ÃàÇÔÀ¸·Î½á, ÀÚ½ÅÀÇ ±æÀ» °³Ã´ÇØ ³ª°¬´Ù. ±×´Â ¼º°æÃ¥À» »óÀ¸·Î ¹Þ¾Ò°í ±× ¼º°æÃ¥Àº ±×ÀÇ Ã¥»ó À§¿¡ ¿µ¿øÈ÷ ³õ¿©ÀÖ¾ú´Ù. ¾ÆÁÖ ±ÍÇÑ µ·À» µé¿©¼ ´õ ¸¹Àº Ã¥°ú Áöµµ¸¦ »ç°Å³ª ¿ô¿Ê ¹Ø¿¡ °¨Ãß¾î¼ ÁýÀ¸·Î °¡Á®¿Ô¾ú´Ù. 20´ë¿¡ °áÇÙ¿¡ °É·Á Áý¿¡ µé¾î ¹ÚÇô ÀÖ¾î¾ß ÇßÀ» ¶§ ±×´Â Dickens, Dostoevsky, Balzac, PlatoÀÇ ¼¼°è¸¦ Á¢ÇÏ°Ô µÇ¾ú°í ¶Ç ºÎÁö·±È÷ ±Ûµµ ¾²°Ô µÇ¾ú´Ù. ±ÛÀ» ¾²°í ޱ¸ÇÏ´Â °ÍÀÌ ±×·Î ÇÏ¿©±Ý ¾ÐÁ¦ÀÚµéÀ» ¸ÚÁö°Ô µûµ¹¸®°í ÇÑ ¹ß ¾Õ¼°Ô ÇÏ´Â Û°øµ(¹æÆí)ÀÌ µÇ¾ú´Ù. ±×´Â ¸¸¾à ±ÛÀ» ¾²°Å³ª ޱ¸ÇÏ´Â °Í Áß Çϳª¶óµµ ÇÒ ¼ö ¾ø¾úÀ¸¸é ¿ÏÀüÈ÷ ºñÂüÇØÁ®¼ ¸Ó¸®°¡ ÅÍÁ®³ª°¥ °ÍÀ̶ó°í »ý°¢ÇÏ¿´´Ù.
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