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Yet, as she often told the press, acting wasn¡¯t real to her. Pain was: colitis, crushed discs, exhaustion, or the pneumonia that almost killed her during the making of ¡°Cleopatra¡±. Her stardom came at a price. This, as much as her longing for concealment, fed her empathy with Hollywood¡¯s misfits, to whom she offered simple, common kindness: Montgomery Clift, Rock Hudson, James Dean, Michael Jackson, the homosexuals-in-hiding and would-be children whose secrets she heard and kept. Hence, too, her generosity to AIDS sufferers long before most others cared to help them. The money raised from jewels could now provide clinics and counselling.
Her love of those staggering pieces only strengthened as she grew older. She admired their durability then, the fact that they would long outlast her. She was only their temporary custodian, she said, a form and a face caught fleetingly by the movie camera or posing, in soft focus, behind the hard stones. Ever matter-of-fact, she liked that thought of transience, and always refused to sit for the painted portraits that might have lasted. Her own amethyst eyes, pearl skin, ruby lips, would disappear. The beauty of jewels was for ever.
A. ¾îÈÖ
the press ¾ð·Ð. acting ¿¬±â. colitis ´ëÀå¿°.
exhaustion ±âÁø¸ÆÁø, ±ØµµÀÇ ÇÇ·Î. pneumonia øËæú(Æó¿°).
at a price »ó´çÇÑ ´ë°¡¸¦ Ä¡¸£°í. longing ÔÓÌÕ(µ¿°æ).
concealment ëßÒû(Àº´Ð), ¼û±â±â, íÖÜÑ(Àẹ). empathy Êïï×ì¹ìý(°¨Á¤ÀÌÀÔ).
feed-fed-fed °ø±ÞÇÏ´Ù, ÀÔ·ÂÇÏ´Ù, ¸¸Á·½ÃŰ´Ù.
misfits (ÁöÀ§, ȯ°æ¿¡) ÀûÇÕÇÏÁö ¾Ê´Â »ç¶÷, ÀûÀÀÇÏÁö ¸øÇÏ´Â »ç¶÷.
generosity °ü¿ë, äºÕá(¾Æ·®). staggering ºñƲ°Å¸®´Â. pieces »ç¶÷µé.
durability Ò±ÎùÕô(³»±¸·Â), ¿µ¼Ó¼º.
outlast º¸´Ù ¿À·¡ °¡´Ù(»ì´Ù), º¸´Ù µÚ¿¡ ±îÁö ³²´Ù.
temporary ÀϽÃÀûÀÎ. custodian °ü¸®ÀÎ, º¸°üÀÎ.
fleetingly ÇÑ ¼ø°£¿¡, µ¡¾øÀÌ, (½Ã°£ÀÌ) ³ª´Â µíÀÌ Áö³ª°¡´Â.
matter-of-fact »ç½ÇÀº. transience ÀϽÃÀûÀÓ, µ¡¾øÀ½, ÙíßÈ(¹«»ó).
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