Sex and advertising ¨ñ

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As for credit cards, Dichter presciently called them ¡°magic¡± for the way they provided ¡°the American consumer with a symbol of inexhaustible potency.¡± One can only imagine what he would make of America¡¯s latter-day spendthrift habits.
Yet the abundant 1950s also gave rise to criticism about the emptiness of affluence and the perversity of advertising. In ¡°The Hidden Persuaders¡±, Packard targeted Dichter for exploiting the emotions of consumers to inspire a national glut of self-indulgence. He claimed that motivational researchers such as Dichter, with their scientific cunning and Freudian voodoo, had unleashed the ¡°chilling world of George Orwell and his Big Brother¡±. Ironically, Packard¡¯s dramatic assessment of Dichter¡¯s dark powers ended up bringing him plenty of new business.
A year later John Kenneth Galbraith released ¡°The Affluent Society¡±, in which he described a country increasingly riven by economic divisions but too selfish to care. Then in ¡°The Feminine Mystique¡±, in 1963, Betty Friedan took Dichter to task for being ¡°paid approximately a million dollars a year for his professional services in manipulating the emotions of American women to serve the needs of business.¡± Though women were taking important steps beyond the home, Friedan accused advertisers of exploiting their homemaking insecurities in order to keep them in the kitchen with such gal pals as Betty Crocker and Aunt Jemima.

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