In Search of Lost Time ¨ê

How to make France a cultural giant again?
2-7-14
Cultural subsidies in France are ubiquitous. Producers of just about any non-pornographic movie can get an advance from the government against box-office receipts (most loans are never fully repaid). Proceeds from an 11% tax on cinema tickets are plowed back into subsidies. Canal Plus, the country's leading pay-TV channel, must spend 20% of its revenues buying rights to French movies. By law, 40% of shows on TV and music on radio must be French. Separate quotas govern prime time hours to ensure that French programming is not relegated to the middle of the night. The government provides special tax breaks for freelance workers in the performing arts. Painters and sculptors can get subsidized studio space. The state also runs a shadow program out of the Foreign Ministry that goes far beyond the cultural efforts of other major countries. France spends planeloads of artists, performers and their works abroad, and it subsidizes 148 cultural groups, 26 research centers and 176 archaeological digs overseas.
With all those advantages, why don't French cultural offerings fare better abroad? One problem is that many of them are in French, now merely the world's 12th most widely spoken language (Chinese is first, English second). Worse still, the major organs of cultural criticisms and publicity--the global buzz machine--are increasingly based in the U.S. and Britain. 'In the '40s and '50s, everybody knew France was the center of the art scene, and you had to come here to get noticed,' 'Now you have to go to New York.'

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the global buzz machine ¼¼°èÀÇ ºñÆò-È«º¸ ±â±¸. buzz À®À®°Å¸®´Â ¼Ò¸®.
increasingly Á¡Á¡ ´õ ¸¹ÀÌ. art scene ¿¹¼ú°è. get noticed ÁÖ¸ñÀ» ¹Þ´Ù. get+p.p.¡æµ¿ÀÛ ¼öµ¿ÅÂ.

B. ±¸¹®
-worse still =What is worse still= ´õ¿í´õ ºÒ¸®ÇÑ °ÍÀº. stillÀº ºñ±³±Þ°­Á¶ºÎ»ç.

2-8-15
Another problem may be the subsidies, which critics say ensure mediocrity. In his widely discussed book On Culture in America, former French attache Frederic Martel marvels at how the U.S. can produce so much 'high' culture of lofty quality with hardly any government support. He concludes that subsidy policies like France's discourage private participants--and money--from entering the cultural space. Martel observes: 'If the Culture Ministry is nowhere to be found, cultural life is everywhere.'*
How to make France a cultural giant again? One place to start is the education system, where a series of reforms over the years has crowded the arts out of the curriculum. 'One learns to read at school, one doesn't learn to see,' complains Pierre Rosengerg, a former director of the Louvre museum. To that end, Sarkozy has proposed an expansion of art-history courses for high schoolers. He has also promised measures to entice more of them to pursue the literature baccalaureate program. Once the most popular course of study, it is now far outstripped by the science and economics-sociology options. 'We need literary people, pupils who can master speech and reason,' says Education Minister Xavier Darcos. 'They are always in demand.'

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former French attache îñ ÇÁ¶û½º ´ë»ç°ü¿ø. marvel at ¿¡ °æÅºÇÏ´Ù. lofty ¸Å¿ì ³ôÀº, °í»óÇÑ.
with hardly any government support Á¤ºÎÀÇ Áö¿øÀÌ °ÅÀÇ ¾øÀ̵µ.
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to that end ±× ¸ñÀûÀ» À§ÇØ. expansion È®Àå. measure Á¶Ä¡. entice À¯ÀÎÇÏ´Ù.
baccalaureate ÇлçÇÐÀ§. is outstripped Ãß¿ù ´çÇÏ´Ù. economics °æÁ¦ÇÐ.
sociology »çȸÇÐ. speech and reason ¿¬¼³¹ý°ú ³í¸®. demand ¼ö¿ä.

B. ±¸¹®
-which critics say ensure mediocrity.
[±×°Í(º¸Á¶±ÝÁö±Þ)Àº Æò¹üÇÑ Àç´É(Àç´ÉÀÌ Æò¹üÇÑ »ç¶÷µéÀÇ Æò¹üÇÑ ÀÛǰ)¸¸À» º¸ÀåÇØ ÁÙ»ÓÀ̶ó°í º¸Á¶±ÝÁö±ÞÀ» ºñÆÇÇÏ´Â »ç¶÷µéÀº ¸»ÇÑ´Ù.]
cf. which´Â subsidies¸¦ ÁöĪÇϰí critics say´Â »ðÀÔÀý. which¸¦ ¹Þ´Â µ¿»ç´Â ensure.
-if the Culture Ministry is nowhere to be found
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is to be found=can be found.
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-like France's ÇÁ¶û½ºÀÇ º¸Á¶±ÝÁö±ÞÁ¤Ã¥ °°Àº. France's (subsidy policies).

2-9-16
A more difficult task will be to change French thinking. Though it is perilous to generalize about 60 million people, there is a strain in the national mind-set that distrusts commercial success. Opinion polls show that more young French aspire to government jobs than to careers in business. 'Americans think that if artists are successful, they must be good,' says Quemin. 'We think that if they're successful, they're too commercial. Success is considered bad taste.'

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French thinking ÇÁ¶û½ºÀεéÀÇ »ç°í¹æ½Ä. perilous À§ÇèÇÑ.
generalize ìéÚõûù(ÀϹÝÈ­)ÇÏ´Ù.
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opinion poll ¿©·ÐÁ¶»ç. poll ÅõÇ¥. aspire ¿­¸ÁÇÏ´Ù. government jobs ÍëòÅ(°øÁ÷).
careers in business ¹Î°£Á÷Àå. career »ý¾Ö, °æ·Â. bad taste õÇÑ °Í.
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