Van Gogh and Gauguin

The Yellow House: Van Gogh, Gauguin and Nine Turbulent Weeks in Arles.
Van Gogh and Gauguin (The Economist April 29th 2006)
39. Sunny side down

The Yellow House: Van Gogh, Gauguin and Nine Turbulent Weeks in Arles.
By Martin Gayford.

39-1-160

Two more mismatched housemates than Vincent van Gogh and Paul Gauguin would be hard to find. Van Gogh was unkempt, emotionally unstable and talked incessantly while he worked. Gauguin, a former sailor and businessman, was taciturn, orderly and a loner. Yet from October to December 1888, the two shared a four-roomed yellow house in Arles until, after a quarrel, Van Gogh cut off his ear. Gauguin fled for Paris and the two never saw each other again.
Martin Gayford's new book analyses the influence of this brief, failed effort to form a 'school of the south', an artistic brotherhood by the brightly lit landscape of Provence. Van Gogh sold only one picture in his lifetime, which was painted during this time. On May 2nd, another crucial work from the period, 'l'Arlesienne, Madame Ginoux' (pictured below) is due to go under the hammer at Christie's with an estimate of $40-50m.
Van Gogh was the first artist to migrate to the south of France. Isolated in Arles, he pained for a friend to talk to about art. He begged Gauguin to join him there, even decorating a bedroom for his guest with paintings such as 'Sunflowers', an expression of the intense heat and colour that Van Gogh sought in his art.
For Gauguin, the arrangement was more prosaic: he could live cheaply in Arles to save money for his next trip to the tropics. Mr Gayford attempts to recreate_ the claustrophobic atmosphere of the yellow house, with its small studio in which the two men were cooped up during the months of the mistral. He sees this period as a turning point in the work of each artist and in the history of art, and he chronicles every day, sometimes every hour, of their life together. This is both the book's strength and its weakness. For interesting though it is to learn of their 'hygienic' visits to the brothel, Gauguin's talent as a cook and Van Gogh's voracious reading habits, the book becomes so bogged down in quotidian details that at times it loses the plot.

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