65-3-310
By the 1920s, with the advent of mass media and the associated rise of the public intellectualfigures such as Arnold Toynbee, Julian Huxley, Cyril Burt, John Maynard Keynes and Marie Stopesthese and other ideas began to exercise a powerful grip on the popular imagination. Making extensive use of primary sources, Mr Overy examines each in turn: the loss of faith in the free-market system caused by rising unemployment and the belief among a generation of British socialists influenced by an outspoken couple, Sidney and Beatrice Webb, that the answer was an ameliorated form of Soviet-style planningthe growing fashion for psychoanalysis, its apparent challenge to reason and its effect on the artistic imaginationand, perhaps most shockingly for readers today, the corrupted Darwinism that led to the rise of the eugenics movement and attempts by apparently respectable people to pass legislation to allow the forcible sterilisation of 'mental defectives'.
The second half of 'The Morbid Age' concentrates on the British reaction to political turmoil in Europe and the arrival on the scene of Hitler. Mr Overy charts the growth of the hugely popular pacifist and anti-war movements, such as the League of Nations Union, which in 1935 through an unofficial plebiscite attracted the support of 12m adult voters. Whereas many were attracted to the idea of a benign world government as an alternative to the staleness and cynicism of conventional politics, Britain was fortunate that only a few saw salvation in the perverted Utopianism of Soviet communism and fewer still in fascism, particularly after the brutalities of the Spanish civil war. Mr Overy observes: 'In this great melodrama Hitler's Germany was the villaindemocratic civilisation the menaced heroinethe many forces of progressive thinking the simple-minded but courageous herothe Soviet Union the hero's bold but not altogether trustworthy accomplice.'
A. ¾îÈÖ
advent ÃâÇö, ÓðÕÎ(µµ·¡). associated °ü·ÃµÈ.
the associated rise of the public intellectual ±×¿Í °ü·ÃµÈ ´ëÁßÀû Áö½ÄÀÎÀÇ ¼ºÀå.
figure Àι°. exercise Çà»çÇÏ´Ù. grip Áö¹è, ÅëÁ¦, äÄÕô(¾Ç·Â), ºÙµé±â.
popular imagination ´ëÁßÀÇ »ó»ó·Â. making extensive use of ±¤¹üÀ§ÇÏ°Ô È°¿ëÇÏ¿©.
primary ÀÏÂ÷ÀûÀÎ. in turn Â÷·Ê·Î. outspoken °Åħ¾øÀÌ ¸¶±¸ ¸»ÇÏ´Â, ¼ÖÁ÷ÇÑ.
ameliorate °³·®ÇÏ´Ù. apparent ¸í¹éÇÑ. challenge to reason ìµàõ(À̼º)¿¡ ´ëÇÑ µµÀü.
corrupted ºÎÆÐµÈ. eugenics éÐßæùÊ(¿ì»ýÇÐ). respectable ÈǸ¢ÇÑ, ´ö¸ÁÀÌ ÀÖ´Â.
legislation ÀÔ¹ý, ¹ý·üÁ¦Á¤. forcible °Á¦ÀûÀÎ. sterilisation Üôìõûù(ºÒÀÓÈ), Ó¨ðú(´ÜÁ¾).
defective ½É½Å¿¡ °áÇÔÀÌ ÀÖ´Â ÀÚ, Àå¾ÖÀÎ. reaction ¹ÝÀÀ, ¹Ýµ¿. turmoil È¥¶õ, µ¿¿ä.
chart µµÇ¥·Î ¸¸µé´Ù. hugely °Å´ëÇϰÔ. popular Àαâ ÀÖ´Â. pacifist ÆòÈÁÖÀÇÀÚ.
unofficial ºñ°ø½ÄÀû. plebiscite ±¹¹ÎÅõÇ¥. adult voter ¼ºÀÎ À¯±ÇÀÚ.
whereas ...¿¡ ¹ÝÇØ¼. benign »ó³ÉÇÑ. alternative ´ëü, ´ë¾È.
staleness ÁöÃÄÀÖÀ½, ÁøºÎÇÑ °Í. cynicism ³Ã¼ÒÀûÀÓ, ºñ²¿´Â °Í.
conventional ÀüÅëÀûÀÎ, î¤ÕÎîÜ(Àç·¡Àû)ÀÎ. salvation ±¸Á¶, ±¸¿ø.
perverted ܨ÷¾(º¯ÅÂ)ÀÇ, ì¶ßÒ(ÀÌ»ó)ÀÇ, »ç¾ÇÇÑ. brutality ÀÜÀμº, ØÁú¼(¸¸Çà).
observe ÀǰßÀ» ¸»ÇÏ´Ù. villain ¾ÇÇÑ, ¾Ç´ç. menace Çù¹ÚÇÏ´Ù.
trustworthy ½Å·ÚÇÒ ¼ö ÀÖ´Â. accomplice ÍìÛóíº(°ø¹üÀÚ).
B. ±¸¹®
- the belief among a generation . . . form of Soviet-style planning;
[°Åħ¾øÀÌ ¸»ÇÏ´Â WebbºÎºÎÀÇ ¿µÇâÀ» ¹ÞÀº ¼¼´ë¿¡ ¼ÓÇÏ´Â ¿µ±¹ »çȸÁÖÀÇÀÚµéÀÇ ½Å³ä Áï (À½¿ïÇÑ ½Ã´ë¸¦ Ä¡À¯ÇÒ ¼ö ÀÖ´Â) ÇØ´äÀº °³·®µÈ áÌÖ¤(¼Ò·Ã)½Ä °èȹ°æÁ¦¶ó´Â °Í. ]
- only a few saw salvation . . . and fewer still in fascism,
[¼Ò¼öÀÇ »ç¶÷¸¸ÀÌ ¼Ò·Ã °ø»êÁÖÀÇÀÇ º¯ÅÂÀû À¯ÅäÇǾÆÀû ÀÌ»óÁÖÀÇ¿¡¼ ±¸¿øÀ» ã¾Ò°í ´õ¿í ´õ ¼Ò¼öÀÇ ¿µ±¹Àθ¸ÀÌ ÆÄ½ÃÁò¿¡ ±¸¿øÀÌ ÀÖ´Ù°í »ý°¢ÇÏ¿´´Ù.]
- Hitler¡¯s Germany was the villain. . . altogether trustworthy accomplice.
[È÷Ʋ·¯°¡ ´Ù½º¸®´Â µ¶ÀÏÀº ¾Ç´çÀ̾ú´Ù. ¹ÎÁÖÀûÀÎ ¹®¸í¼¼°è´Â Çù¹Ú´çÇÏ´Â ¿©ÀÚ¿µ¿õÀ̾ú´Ù. Áøº¸Àû »ý°¢À» °¡Áø ¸¹Àº ¼¼·ÂµéÀº ´Ü¼øÇÏÁö¸¸ ¿ë±â ÀÖ´Â ¿µ¿õÀ̾ú´Ù. ¼Ò·ÃÀº ±× ¿µ¿õÀÇ ´ë´ãÇÏÁö¸¸ ÀüÀûÀ¸·Î´Â ½Å·ÚÇÒ ¼ö ¾ø´Â °ø¹üÀÚ¿´´Ù.]
65-4-311
But as the prospect of war drew closer, pessimism and defeatism were replaced with a grim determination to confront the manifest evil of Nazism. In the three years between the crises in Spain and central Europe, Mr Overy writes, 'the balance between saving civilisation through peace and saving civilisation by war swung decisively in favour of the latter.' When war eventually came, it was for many people almost a reliefa climax in the patient's condition after which would come either death or recovery.
'The Morbid Age' is history at its best. It tells us not just what people did, but what were the social and intellectual influences that caused them to do what they did. With elegance and erudition, Mr Overy opens a window into the mind of a generationa generation with anxieties both very different from and yet surprisingly similar to those of our own today.
A. ¾îÈÖ
prospect ʦØÐ(°¡¸Á), Àü¸Á. defeatism ÆÐ¹èÁÖÀÇ. replace ´ëüÇÏ´Ù.
grim ¾öÇÑ, °¡Â÷¾ø´Â. determination °á½É, °á´Ü. confront ¸Â¼´Ù, ´ë°áÇÏ´Ù.
manifest ¸í¹éÇÑ, ºÐ¸íÇÑ. crisis À§±â. swing-swung-swung ¹æÇâÀ» ¹Ù²Ù´Ù, Èçµé´Ù.
decisively °áÁ¤ÀûÀ¸·Î. in favor of ...¿¡ Âù¼ºÇÏ¿©.
relief ¾È½É, À§¾È, ÇѼû µ¹¸®±â, ±¸Á¦. elegance ¿ì¾Æ, ´ÜÁ¤.
erudition ÚÏùÊÒýãÛ(¹ÚÇдٽÄ)
B. ±¸¹®
- It tells us not just . . . do what they did.
[±× Ã¥Àº ´ÜÁö ±¹¹ÎµéÀÌ ¹«¾ùÀ» ÇÏ¿´´ø°¡¿¡ ´ëÇØ¼¸¸ ¸»ÇØÁÖ´Â °ÍÀÌ ¾Æ´Ï°í ±¹¹ÎµéÀÌ ±×·¸°Ô ÇൿÇϵµ·Ï ÇÏ¿´´ø »çȸÀû, ò±îÜ(ÁöÀû)ÀÎ ¿µÇâÀÌ ¹«¾ùÀ̾ú´ø°¡¿¡ ´ëÇØ¼ ¸»Çϰí ÀÖ´Ù.]
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