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But writing was the thing, and Mr Carey's discussion of the novels and of the process of their creation is one of the most interesting parts of the book. Fear, he believes, was Golding's sharpest emotion, the fear of writing itself being one of the worst. His books emerged painfully through many revisions, each draft being a way of postponing the final one. His tactful, patient, encouraging editor at Faber, Charles Monteith, was a lifeline to him, a friend on whom he relied more than any other during the second half of his life.
Later chapters sag, perhaps unavoidably, under the weight of Golding's gathering fame and honoursthe Booker, the Nobel. Mr Carey might have cut down on the itineraries and schedules and dinners. And what of Ann, Golding's brilliant and beautiful wife? She is glimpsed in flashes, a remark, an insight, an indispensable presence on too many reading tours, increasingly ill. Yet Golding needed her as desperately as he needed Monteith. Mr Carey ends the book with a quote from Golding's journal, a wry and moving tribute to Ann for everything she has meant to him, from bed to books. "I would never have been as happy in the one with someone else, nor have written the other with someone elseor indeed written anything."

B. 어휘
emerge 나타나다. revision 修正(수정). draft 草案(초안).
postpone 연기하다. tactful 비위를 맞추는 재치가 있는, 요령이 좋은.
patient 참을성이 있는. editor 편집인. chapter 章(장). sag 축 처지다.
unavoidably 불가피하게. cut down on 수량을 줄이다.
itinerary 旅程(여정), 여행일기. glimpse 힐끗 보다. a remark 논평해주는 사람.
a insight 통찰해 주는 사람. indispensable 절대로 빼 놓을 수 없는.
an indispensable presence 필수적인 존재. desperately 필사적으로.
journal 日記(일기). wry 얼굴을 찌푸린, 심술궂은, 비뚤어진.
moving 감동적인. tribute 讚辭(찬사). the one =bed. the other=books