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THERE is a perverse romance to Adam Ross¡¯s debut novel, ¡°Mr Peanut¡±. This is a book about love. Or, rather, it¡¯s about how love¡¯s honey glow dims with time, after years of compromise and routine. That means it¡¯s about marriage, its lonelinesses and gloom, and the way longing for freedom from its prison can inspire thoughts of murder. Or perhaps it is a thriller, about men who love their wives but kill them, or simply wish they were dead. But at the root of it all is love, that most absurd and precious thing, and how hard it is to make it stay.
¡°When David Pepin first dreamed of killing his wife, he didn¡¯t kill her himself. He dreamed convenient acts of God.¡± With this opening sentence, Mr Ross has got our attention. His hero, David, is a successful video-game designer in his 30s whose marriage has ¡°existed in a state of stasis¡± for years. He and his wife, Alice, are university sweethearts whose charmed union took a hit once they began trying to have children. Some years and several miscarriages later, they have forgotten how to talk to each other. Alice has grown fat David is keeping secrets. Occasionally he imagines her falling victim to a freak accident—a tumbling crane, say, or spiralling helicopter. Something swift, efficient and blameless.
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nutty ¹ÌÄ£, ¿ÁßÇÑ, Çâ±â ³ôÀº. perverse ¿Ü°íÁýÀÇ, ¼ºÁúÀÌ ºñ¶Ô¾îÁø, Þ÷äÂ(»ç¾Ç)ÇÑ.
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wish they were dead Á×¾úÀ¸¸é ÁÁ°Ú´Ù.(°¡Á¤¹ý °ú°Å)
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